Showing posts with label Jeremy Renner. Show all posts
Showing posts with label Jeremy Renner. Show all posts

Tuesday, January 3, 2012

Mission : Impossible - Ghost Protocol

Though there is tension in Brad Bird's "Mission: Impossible - Ghost Protocol," the stakes for the most part feel glazed over. The heroes and the villains feel so far removed from what they're to affect (missiles blowing shit up) that the film is only engaging on the level of their immediate actions. I suppose that's sort of obvious, but the remove at times is large enough to be disconcerting: for one, a character is thrown out of a window and the film soon forgets her significance in the plot, even though she's said by Ethan Hunt (Tom Cruise) to be an "asset," and for another, the Kremlin's getting totally trashed is pretty underplayed.

I've only seen Brian De Palma's original "Mission: Impossible," which I largely enjoyed a while back, so I can't impart except via a small bit of outside knowledge about any cross-series references. This one is mildly satisfying, if not entirely morally coherent, mainly due to the magnetism of the four main actors, playing the last remaining agents of the IMF. It's fun to watch Cruise (even after all the freakouts he's had offscreen), and Paula Patton is solid in the only main female role of the film. But it's especially enjoyable to see Jeremy Renner and Simon Pegg in somewhat irregular roles. Renner was very impressive in the excellent "Hurt Locker" a couple years back, so I'm already attuned to his talent; to see him kick ass in a different sort of action picture is a pleasure. And previously to now I just couldn't stand Pegg, beloved for his Edgar Wright and Nick Frost collaborations. I'm glad that he's finally found a good vehicle for his jokiness; he makes much of the film in my opinion.

Maybe I was overexposed to the material going in, but I feel less impressed than most at many of the talked-about scenes. The sustained Dubai section is masterfully executed looking at it as a whole, but in certain bits (especially with Cruise scaling the wall) it doesn't live up to expectations. (I did appreciate the last car chase a lot, though.) There's less to the whole film than there appears to be, disappointingly enough, with a bland bad guy who turns out to be played by none other than Mr. Swedish Mikael Blomquist, Michael Nyqvist. And, with the smiley, airbrushed coda, the surreal tidiness of the film and the mission is jolted to the next level (read: not a good place). "M:i-4" is an appealing venture (I smiled), and a sometimes aesthetically pleasing one (Robert Elswit has some good moments shot-wise), but not ultimately a worthwhile one. The actors click, valuably; little else does. C+

Sunday, November 7, 2010

The Town

Ben Affleck didn't know how to end "The Town." Considering that the rest of the film is as atmospheric as Peter Yates' similarly Boston-set "The Friends of Eddie Coyle" and twice as good, this is a shame. Pre-ending, it's entertaining, evocative, satisfying, and just about worthy of Affleck's "Gone Baby Gone." It wouldn't have caused the same sort of philosophical debate that resulted from that film's ending, but it would have been mighty fine. However, Affleck sends the film down maybe the wrong road, trapping himself in a corner only escapable through a terribly sappy resolution.

This film focuses on a neighborhood in Boston called Charleston, where (I believe) "Gone Baby Gone" was also set. Tragedy is in the air every second, since a ton of criminals operate from here. Ex-hockey-player Doug MacRay (a good Affleck) is one of them, along with his friend from childhood James (Jeremy Renner, playing a character similar to the one in "The Hurt Locker") whose drugged-up and promiscuous sister (Blake Lively) he dated and had a kid with, and a couple others (Owen Burke and Slaine). They work for Fergie Colm (Pete Postlethwaite, in a nice bit part), a mob boss who has a long history with Doug and his prison-sentenced father Stephen (Chris Cooper).

Doug and his cohorts are considered experts by the police. They are extremely meticulous in all of their robberies, making sure to wash their DNA off the crime scene and to deal with any dangerous witnesses. They take on a bank at the film's start, and are forced to kidnap the bank manager and release her at the water. This is Claire (Rebecca Hall), who is unsettled by the ordeal. She talks to the FBI (namely Adam Frawley, played solidly as a Landa-esque passive-aggressive by Jon Hamm) but doesn't say much.

Doug, who stole her license at some point during the robbery, follows her from her house to a laundromat and ends up carrying on a conversation with her as just some guy. She brings up her horrible situation, and he must contain his knowledge while comforting her. This encounter escalates into having a drink, and then further. This is a love that is bound to collapse, but Doug is not thinking as the levelheaded robbery planner that he is. This provokes relevant thoughts and doubles as a look at love in the information age.

As the relationship progresses, Doug wants more and more to back out of his dangerous activity. The jobs get increasingly riskier, from robbing a truck to stealing from Fenway Park (which is an anti-American and -Bostonian offense on top of a federal one, if you ask me), with the gunfights taking place in more and more closed spaces. This arc is a bit hard for Affleck to handle. Maybe he bit off more than he could chew. All I know is that he did a very nice job with the ending of "Gone Baby Gone," and that here he turned to schmaltz. B